Italians at Cannes
Cannes Film Festival
Call it a chaotic circus, a playground for starlettes and wannabe
actors, or a showcase for "the good, the bad and the ugly", with its
immense market and its amazing competition the Cannes film festival
is, no doubts about it, the most prestigious of the European film events,
and one of the oldest one.
This year the Italian presence on la Croisette was quite impressive,
with two films in the main competition, two in the parallel sections
and a documentary presented out of competition and strongly wanted by
the Steven Spielberg Foundation, not to mention the stunningly beautiful
Monica Bellucci in the Jury.
Running for the Palma d'or were Il Caimano, by Nanni Moretti and
L'Amico di Famiglia, by Paolo Sorrentino, a bitter account on the Italian
political and social situation the first one, and a disturbing drama
with an usurer as a central character the latter.
Moretti is well known and appreciated in France and is a favourite
of the Cannes Film Festival, where he won the Palm d'Or two years ago
with the film La stanza del figlio.
Long applauded at the end of the screening within the Un Certain
Regard section was Il regista di Matrimoni, by Marco Bellocchio, a well
known director in France and labelled by a foreign journalist "the last
Mohican of the neo-realism".
Presented within La Qunzainne des Realizateurs section and greeted
by a seven minutes standig ovation at the end of the screening Anche
libero va bene, the film that marks the directorial debut of one of
the "beautiful" of the Italian cinema, Kim Rossi Stewart. To the disappointment
of those who still believe that beauty in cinema is a synonym of dumbness,
young Rossi Stewart proved to be not only a fine actor but an excellent
director, signing a film of a classic style and universal theme.
"He was a very generous director", states Barbara Bubulova, who co-stars
with Rossi Stewart in the film. "He worked very hard all day behind
the camera, and then stayed many extra hours at the end of each day
to shoot his own sequence last, so we could go home while he kept working".
And, last but not least and very well received was the documentary
"Volevo solo vivere", by Mimmo Calopresti, a touching documentary on
the drama of the Shoe screened out of competition and made for
the Steven Spielberg Foudation.
Sandra Bordigoni
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